Incense Traditions Throughout the World

Powerful smells have been a part of cultural traditions for thousands of years. That should come as no surprise when you realize that the sense of smell is closely linked to both memory and emotion. That’s why incense, as a cultural and religious tradition, is also so widespread and popular throughout the world.

Incense is made of aromatic plant materials that are often combined with essential oils to form a sticky paste which can be formed into different shapes, such as cones, or stuck around sticks made from bamboo or other materials. There are also two main types of incense – combustible and non-combustible. Combustible incense is lit by a flame and then blown or fanned out, leaving an ember that continues to smolder and release fragrant smoke. Non-combustible incense needs a separate, constant heat source for it to work, such as a steady flame or chunk of charcoal.

Used since the times of Ancient Egypt, people have burned (and continue to burn) incense for a lot of reasons – from the most mundane to the holiest.

Those same Egyptians, for example, would burn incense to mask the unpleasant smells of everyday life – no roll-on deodorant 5,000 years ago – as well as to ward away demons and please the gods with its pleasant scents. Balls of resin incense have been found in many Egyptian tombs, which signifies that incense also had purpose regarding a person’s afterlife. Babylonians used it during prayer offerings to oracles – from Babylon, the practice spread to Greece – maybe you’ve heard about the Oracle at Delphi – and Rome.

On the other side of the world, in China and India, incense came to be increasingly used in religious ceremonies by 2000 BCE. Priests and monks begun using it to aid in their meditations, purification ceremonies, and other religious rituals.

Finally, the New World – the modern-day United States, Canada, and Mexico – also have traditions of burning aromatic plant matter for spiritual and ceremonial purposes, even though it is rarely referred to as incense specifically. Shamans and medicine men burned plants such as sage and sweet grass to purify and grant protection to people, places, and objects.

This article will take a deeper look at the various incense traditions around the world, what materials were and are used to make incense in each tradition, and what the significance is of those materials in each culture.

A Man Lighting Incense Sticks Outside Of A Temple
A Man Lighting Incense Sticks Outside Of A Temple

Incense in the Middle East

The modern Middle East was the birthplace of what we call incense. The first recorded uses of incense come from the land of mummies and the Nile – Ancient Egypt.

While the period is so far back in history that it is hard to know what specific recipes the Ancient Egyptians used to create their incense, we have some recorded information and can also make some educated guesses. Since local materials were favored in ancient incense-making simply because they were easy to get hold of, it’s accepted among scholars that Ancient Egyptians used ingredients such as camel grass, papyrus, and honey in their incense. They might also have used mastic obtained from mastic trees towards the beginning of the Common Era, as well as resin from fruits such as dates and raisins to give the material the stickiness needed to shape it.

According to official records of the pharaoh’s court, a good deal of highly-valued incense ingredients were imported spices and materials. Since aromatic wood was in short supply in Egypt, for example, the pharaohs sent trade expeditions to retrieve fragrant cedar wood from the Levant, modern-day Lebanon. The Greek essayist and historian Plutarch wrote that the Ancient Egyptians burned frankincense in the morning, myrrh at midday and “kapet” or “kyphi,” a variety made from various ingredients, in the evening. Specific Egyptian gods were associated with specific kinds of incense – for example, the god Hathor was associated with myrrh.

Frankincense and myrrh were also imported, as they didn’t grow in Egypt in the amount demanded by priests and other users. The Egyptians also imported and used cinnamon, cassia, and galbanum as incense. Incense was made by grounding up the ingredients and throwing them on hot coals or shaping them into small pellets using resinous ingredients (such as raisins or dates) and then burning them. In addition, fragrant resins were often used as common component to many perfumes of the time.

In more modern times, “bakhamoor” or “bakhoor” is used by Muslims as a hospitality ritual and is often burned in a burner known as a “mabkhara”. In this practice, a mixture of frankincense, sandalwood, and natural oils, are burned in the mabkhara when guests come visiting and is passed from the host to one guest after the other as a sign of greeting and acceptance.

This is also often practiced in the corresponding majilis (congregations or councils).

Of course, you can’t forget the importance of frankincense and myrrh to early Christians, either – the three wise men or magi brought gifts of gold, frankincense, and myrrh to honor the birth of Jesus. In fact, burning it was a part of Jewish liturgy many years prior due to middle eastern trade routes extending into their region.

resin incense
Fragrant Resins and Wood


The Jewish community was known to import incense from Egypt before the Babylonian Exile. (586-538 B.C.) At some point the Jews began making a rather unique variety called ketorat which they burned in the Temples of Jerusalem. The Book of Exodus states that it was a mixture of stacte, onycha, galbanum, and frankincense.

For the most part, incense no longer plays a significant role in Judaic practice.

Incense in Europe

The word “incense” itself comes from the Latin word incendere, which means “to burn.” With civilization and advanced human culture reaching places in Europe such as Greece and Rome from civilizations such as the Egyptians and Babylonians, a lot of the traditions surrounding incense in Europe came from the Middle East. Not to mention that aromatic plants didn’t just grow in the Middle East – many of them also grew in Greece, modern-day Bulgaria, Italy, and other locations on the European continent.

In the north of Europe, far away from Middle Eastern traditions, pagans burned juniper – berries, resin, and wood – to ward away evil spirits and ensure the protection of their households during the long winters, as well as in burial ceremonies.

Incense in Asia

Asia is probably the first place that comes to mind for many people when they hear or read the word “incense.” The Asian nations of India, China, Japan and others have some of the richest incense traditions in the world, ones practiced by both the elites and the masses of each society.

The abundance of fragrant trees and plants throughout the Indian subcontinent and East Asia meant that there weren’t usually shortages of raw materials. And as civilizations developed and trade between them grew, Chinese and Indian merchants were sending silk and spices by the Silk Road to the West and coming into contact with new types of fragrant plants – like frankincense and myrrh – that they brought back to their homelands.

In all three of these countries, incense has been a central part of religious traditions – among high-ranking priests and simple country-folk alike. In India, the Vedas – ancient Hindu holy scriptures – describe how it can be used as a form of medicine. In fact, creating an environments of strong scents was often considered one of the first stages of healing a patient in the Ayurvedic tradition, and incense was made mostly by monks and doctors. In such traditions, ingredients for incense are based on the five Ayurvedic elements and used according to that system.


Incense use in China began as far back as 2000 BCE during religious rituals, with its highest point being during the Song dynasty from the 10th to the 13th centuries. During this time, whole buildings were constructed for incense rituals alone.

China was the birthplace of solid stick incense, so-called because it doesn’t contain a solid wood core. The Chinese, ancient and modern, burned it to venerate their ancestors as well as in traditional medicine. For eye troubles, they would burn camphor, for example, as well as using it for ailments of the stomach and heart. As the art of incense-making became even more refined, the Chinese invented “incense clocks,” which comprised of sticks which burned so evenly and regularly that you could set clocks by them.

A popular ingredient both in ancient times and today is sandalwood, which also made its way along trade routes to the Middle East. So were cloves, agarwood, anise, and camphor.


The oldest source of information on incense in Indian culture is from the Vedas, or more specifically, the Atharva-veda and the Rigveda. In these texts, a unified method of crafting incense was encouraged. Around 700 BCE it became a mainstream practice. It is also an integral part of Ayurveda, which is an ancient form of medicine still used today. In Ayurveda, it was considered medicinal and as such, much of the incense in India was originally crafted by religious monks who burned it during ceremonies such as puja.

In India, incense sticks are usually referred to as agarbatti or joss sticks. The typical Indian form of incense is a resinous paste wrapped or molded around a bamboo core, or stick. Sometimes perfumes are also incorporated into or sprayed upon the sticks. It is thought that this popular variety originated in India, as most other Asian countries such as China, Tibet, and Japan seem to primarily burn core-less varietals.

Today India is the largest incense manufacturer in the world and accounts for about 30% of the global market.

Popular Indian manufacturers include companies such as Shrinivas Sugandhalaya, Moksh Agarbatti and Cycle Pure. Many of these companies employ older women, widows, and poor women from surrounding rural villages, providing them with a means to support themselves.


In Tibet, burning resin incense in it’s raw form was quite popular but they also made a rope variety by wrapping herbs and resins inside of braided rope, sometimes perfuming the rope as well. Tibetans consider it to be medicinal, and the ingredients used were often based on ancient Vedic or Ayurvedic medical texts. Common ingredients included mountain flowers, juniper, ashwagandha, frankincense, lemongrass, cedar, and other fragrant compounds found in the region.

Tibetan incense most commonly had an earthy, herbal fragrance. They often incorporate 30 or more ingredients and sometimes over 100, into a single formulation.

In modern times, Tibetan incense has become somewhat commercialized and many new manufacturers are starting businesses to help their communities support economic growth. It’s not uncommon for big businesses in these Tibet and India to donate to social programs within their developing countries.


In Japan, incense, as many somewhat “ordinary” things that arrived on the islands from the mainland, was elevated to a form of high art. After arriving with Buddhist monks from China, incense was used by religious folk, among them samurai warriors, who would perfume their helmets with aromatic incense before battle as a sign of respect for anyone who might take their head.

From there Japanese elites took it up and turned it into an art form called kōdō, which was similar to the tea ceremony. Burning incense would be passed around in a special burner and participants in the ceremony would take turns commenting on its properties, as well as playing games to guess the ingredients.

Agarwood and sandalwood are the main base ingredients used in Japanese incense sticks, but many different types of plants and herbs, among them ginger lily, patchouli, cinnamon bark, licorice, lavender, safflower and more are used in the Japanese incense-making tradition.

Types of Agarwood

There are several classifications of aloeswood in Japanese culture.

These varieties include Kyara, Manaban, Rakoku, Manaka, Sumotara, and Sasora.

  • Kyara is probably the most popular variety of aloeswood and is usually grown in Vietnam or Cambodia
  • Rakoku in a way often smells similar to sandalwood, although the scent is slightly bitter.
  • Manaka is thought to have a light sensual and enticing scent which, although the scent may dissipate quickly.
  • Manaban generally has a sweet, unrefined aroma. This aloeswood often leaves a residue.
  • Sumotara has a bit of a sour smell and Sumotara is often considered a lower grade of aloeswood.
  • Sasora is a strain of aloeswood which is commonly mistaken for Kyara, but to the trained nose, Sasora typically has a lighter, slightly more sour scent.

In the sixteenth century, Zen priests were believed to have a document, known as The Ten Virtues of Koh, that describes the inherent qualities of incense, as well as it’s benefits. The Ten Virtues of Koh are still appreciated and cited by many people today.

Ten Virtues of Koh

The Ten Virtues of Koh

  1. It brings communication with the transcendent.
  2. It refreshes mind and body.
  3. It removes impurity.
  4. It brings alertness.
  5. It is a companion in solitude.
  6. In the midst of busy affairs, it brings a moment of peace.
  7. When it is plentiful, one never tires of it.
  8. When there is little, still one is satisfied.
  9. Age does not change its efficacy.
  10. Used everyday, it does no harm.

Almost 70% of Japan’s incense is now crafted on a small island known as Awaji Island.

Incense in North America

A culture that has a rich tradition of burning aromatic plants, but which is rarely directly called an incense tradition, is the culture of Native Americans. Many different groups across the modern-day United States, Canada, and Mexico speaking different languages, nevertheless had some common traditions. One of these was the burning of various plants, or smudge sticks, during ceremonies of ritual cleansing.

We all know that tobacco burning originated with Native Americans, but shamans and healers also used the smoke of bundles of either desert sage, or white sage and other plants to purify people, objects, and places. These bundles are called “smudge sticks,” named so due to the smudges that their burnt ends leave when rubbed across a surface, such as skin.

Sage and Artemisia were popular ingredients in smudge sticks, as was sweet grass, cedar, and tobacco. Each had their specific uses in North American shamanic tradition, but an elder of the Cree nation indicated the importance of these plants by saying:

“Where you go in North America, one of these sacred plants will be growing.”

Native Americans would use smudge sticks during sacred rituals, such as war dances, as well as to cleanse people when they entered dwellings (such as teepees) where rituals and ceremonies took place.

Throughout time, across the world, and in every culture pleasant smells have made people happy, soothed their minds and nerves, taken the edge off after a difficult day at work… The power of burning incense was and continues to be appreciated by religious figures and common folk alike. It has even made it into the holy books of the world’s largest religions such as Christianity and Hinduism.

Although it wasn’t once as common place, North America is now a land thriving with independent producers who create their own blends.

Palo Santo and White Sage Smudge Sticks
Palo Santo & White Sage Smudge Sticks

Additional Information About Incense


The use of incense likely started out as a practicality. Before running water, modern soap and lack of other hygienic practices resulted quite often in unpleasant odors being a common occurrence both among individuals as well as in common living quarters.

The concept that incense cleared and cleaned the air likely started from it’s use as a practice to mask bad odors and smells from it’s surrounding atmosphere. This can be applied to both Buddhist and Hindu temples as well as the Catholic traditions of using a censor to burn frankincense and myrrh resin. Many of the people who attended these meetings were poor, working class individuals who often did not have time to run to a creek and bath before attending service.

Another popular use in places such as China was to use incense as a form of clock. Such sticks were made to very uniform standards and therefor burned for roughly the same amount of time. In a time before modern clocks and watches, burning a stick allowed one to know how much time had passed. This was an important development that was used in both civilian life, as well as in more complicated conditions such as warfare.

Some scented sticks such as citronella, lemongrass, and lavender, as well as the inherent smoke involved in burning these sticks are known to repel insects from one’s surroundings.

This is still an effective practice, but it was even more prevalent back in the days where people lived in cottages or other small homes depending on the area in which they lived. Bugs were much more common in such living conditions and incense was an effective way to get some time of relief from pests such as mosquitoes. It was also important to Buddhist practitioners during meditation, where it would prevent the insects from biting and bothering them during meditation.

Other popular uses include burning it to mask cigarette smoke when people smoke indoors. This can be beneficial when one has company coming over to their residence, as most non-smokers tend to dislike the scent of tobacco smoke.

Combustible Base

Most incense is made with a combustible base which holds the material together as a binder, and also allows the stick to burn evenly. Incense made with a combustible base typically only needs to be lit once.

The most common materials would be wood or charcoal. These materials make as a good binder because in addition to burning evenly, they do not impart much of a scent upon the accompanying aromatic materials. Natural materials such as gum arabic are often used as well. Other materials include makko (a wood from Japan), Xiangnan pi (from the bark of trees in the Phoebe genus), Jigit (a binder used in Nepal), and Laha (a dark based powder used throughout many parts of Asia).


Incense sticks can be made a variety of ways but we are going to discuss some common methods below:

  • Paste Rolling: You take your combustible base and mix it with your resins powders, and oils to form a paste. This paste can then be formed into a thin, long coil by using a roller, paddle, or some sort of similar tool. A thin stick is then rolled into the middle of the mix. The resulting sticks may then be cut to length and the drying process begins.
  • Powder Coating: The process for powder coating may vary but typically one would take a bundle of wood slivers and soak them in water or a light glue mix. The sticks are individually dipped into a tray of masala (or equivalent) powder containing resins, spices, and binders. The sticks are then rolled for stability, while adding additional masala powder to the mix. It is common to bind three or four layers onto the sticks, but this may vary depending on one’s individual preferences. The sticks are then dried in open air.
  • Compression: A damp masala powder can be formed around a wooden stick by using compression. This is one of the easiest and cheapest methods of producing it, but is becoming more common in today’s mass-produced market.
lit incense sticks
Lit Incense Sticks

Here is a list of common incense ingredients mentioned in this article:

• Sandalwood • Myrrh • Frankincense • Benzoin

• Patchouli • Copal Resin • Dragons Blood • Sage

• Opopanax • Cedar wood • Sweet grass • Clove

• Agarwood • Rose • Mastic • And more…

But this is just a short list of the most popular and easily-obtainable ingredients. It can be and is made out of anything that smells good when burned. And some ingredients are very rare – either naturally or due to human over-exploitation – and so very expensive.

“Kyara”, for example, is the resin of the agarwood tree that is highly prized in Japanese incense-making tradition. Lower-grade kyara goes for around 20,000 yen or $180 per gram, and higher-grade kyara can sell for twice as much. This is because agarwood trees have been over-exploited and there are few remaining that produce high-quality resin, which is one reason why the Japanese art of incense appreciation isn’t as well-known as tea ceremonies or flower-arrangement.

In any case, the world of incense is a rich and wonderful one to explore and discover. Incense is a way to appreciate the world in a unique way – experiencing the smells of faraway lands simply by lighting a small stick, resin, or cone of plant material.

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